Showing posts with label feminism. Show all posts
Showing posts with label feminism. Show all posts

Friday, March 16, 2012

Greer gets glittered

The Queer Avengers “glitter bomb” Germaine Greer
Germaine Greer glitter-bombed in Wellington













From the point of view of someone, ie me, who's keenly interested in style and feminism - note: not style or feminism - yesterday was very interesting.
I arrived at the Embassy in good time to buy a ticket for the Germaine Greer, Marilyn Waring and Sandra Coney Writers and Readers Week panel, rather cringingly entitled "Where were you in 1972?". Then I withdrew to Ka Pai on Courtenay Place to enjoy a latte before it began.
I sat at the window and toyed with the Dominion-Post. A group of six or seven people had convened at the pavement table just outside. I noted only one obvious man; the rest appeared to be women. "Obvious", "appeared to be" - why so circumspect? You'll see why. Just let me say now that none of them looked in any way out of the ordinary.
They were planning something. Quite what, I couldn't tell - partly because of traffic noise, but partly because they all knew what it was and didn't waste time explaining it to eavesdroppers.
There was talk of having texts ready to send, questions ready to ask and media back-ups sorted. Pretty soon I decided their target must be the panel I'd be attending. This was confirmed when they dispersed with obvious sense of purpose in the direction of the Embassy.
One young woman lingered, and I asked her what they were up to. She looked a bit surprised - probably by my blatant acknowledgement of eavesdropping.
Turned out she wasn't taking part in the protest herself because she was exhausted, and needed to go home. But yes, the others would be creating a stir at the panel session, and I would have to wait to discover what it would be.
We talked for a while, and I enjoyed the exchange, in spite of her kindly meant but rather frequent repetitions of the view that "it was a different world now" to the one "the older generation of feminists knew."
She said that in the 90s Greer outed a transsexual who applied for a job at the all-female Newnham College, Cambridge. I felt uncomfortably out of touch, but asked what she thought the philosophical basis of Greer's actions was.
My nice informant was understandably more interested in telling me what she and her fellow protesters - the Queer Avengers - felt about this kind of "transphobia", so I gained no insight into Greer's position, which did sound disturbing. The young woman worked with gay youth, she said, and saw first-hand the dreadful damage done by low self-esteem and social ostracism. She was sincere and likable.
She was also rather nicely turned out, street-wear style. But it was probably a little mischievous of me when, as our conversation was coming to an end, I said I'd quite like to take her photo for my blog. She looked as surprised and as marginally disapproving as I'd expected. But it was no good her pretending - as I once did myself - that she'd paid no attention to self-presentation. Her hair was shiny black and cut cleverly short. Her eyelids were rimmed exotically in black. And she wore a black sleeveless tee shirt (better not referred to it as a wife-beater).
The session itself was entertaining, but that's another story. One of the cafe-table conspirators was first on her feet at question time, and, reading from a prompt sheet, asked why Greer was so transphobic as to out another academic.
Wrong question.
Greer's response came hot and fast - words to the effect that the questioner shouldn't believe everything she reads in the paper, and that the academic in question had gone on to take up the position at Newnham. 
And that was the end of that. I heartily wish now, having done some reading, that Greer had been asked to air her views on this topic, rather than directly accused of a specific - deniable - action. This would have opened up the debate, and allowed the huge audience - almost certainly as uninformed on this issue as I was - to weigh it up for themselves. 
I was seated within a few rows of the highest seating, and (god help us in a fire or an earthquake) it took a good ten minutes to get out into the foyer. By that time the protest action was over.
Greer was seated at a table signing books, and her immediate surroundings were a riot of glitter. It looked too festive to have been thrown in protest. But I did like the stylishness of the gesture.
Greer has been outspokenly negative about transgender people and cross-dressers. As here, for instance, in a widely quoted 2009 Guardian opinion piece:

"[A]cademic feminists could be taken to be saying is that (a) you're a woman if you think you are and (b) you're a woman if other people think you are. Unfortunately (b) cannot be made to follow from (a).

"Nowadays we are all likely to meet people who think they are women, have women's names, and feminine clothes and lots of eyeshadow, who seem to us to be some kind of ghastly parody, though it isn't polite to say so. We pretend that all the people passing for female really are. Other delusions may be challenged, but not a man's delusion that he is female."

Elsewhere, she has argued - rather more convincingly - that what lies behind so-called sex-change surgery is the belief that all a man has to do to become a woman is to get his genitals cut off and start wearing high-heels and lipstick. In other words, a woman is a second-rate, damaged man.
It's an interesting point. But an intellectual one only. Brutal to elevate it to some kind of principle by which to judge others' behaviour.
If I were a man, I'd wish I could get myself up as a girl, too, without causing World War III. Choosing each morning how to present myself to the world is one of my pleasures, and it's one that strait-jacket definitions of manliness prevent most men from enjoying. If I were to leave the house dressed as a man, I doubt anyone would turn a hair, and I've written elsewhere about my enduring admiration of the the pantomime principal boy. But to have been born a man and feel yourself to be a woman, rather than just wanting to present yourself as one, is something else altogether, and I'm completely unqualified to discuss it.
If those who do feel this way should have the means and determination to follow the dictates of their instincts, why on earth should I or anyone else want to stop, or even discourage them?
My informant and her Queer Avengers colleagues claim that transphobia is a manifestation of "20th century feminism". I guess, being young, they would say that. But I'd like to state for the record that it was no part of my feminism, then or now, to dictate that anatomy is destiny. Quite the contrary. It has always been my earnest desire to break down those watertight categories of male and female into something more fluid, more forgiving. And much more enjoyable.
The Female Eunuch meant a great deal to me when I first read it back in the early 70s, and I wanted to mark the occasion of being in the same room as its author. So I waited patiently in the queue by the signing table as those ahead engaged Greer in admiring conversation. When it was finally my turn, I said I wanted to thank her, rather belatedly, for the book that changed my life.
She looked slightly bemused but nevertheless took my proffered hand. It was then that I experienced one of those pangs of misgiving familar from my early feminist life: "Will she think I'm not a real feminist because I wear lipstick and have blonded hair?"
Old habits of thinking die hard. But die they must.

A man who knows much more about
applying make-up well than I do

Friday, May 14, 2010

Slut-wear



This clip, originally from The Onion and sent to me by my friend T in Sydney, is hilarious. At least, she and I and several others think so. Some have got hot under the collar about it, though. "Slut Shaming at The Onion: Humour Fail" at http://www.womensrights.change.org/blog/view/slut-shaming_at_the_onion_humour_fail puts the case against finding it funny as compellingly as it can be put. Its main thrust (sorry) is that the faux clip is cruelly judgmental of women's sexuality; it reminds her, says writer Ruth Fertig, of that infamous 1978 Hustler cover.
Back then, this image of shapely female legs being fed into a meat grinder, with the pink mince of her torso being extruded from the other end, appalled and outraged me. And, even if, as was claimed, it aimed at depicting women's consumption by the porn industry, it remains a shockingly revolting image. And one this The Onion clip doesn't in any way remind me of.
What Fertig has overlooked is that it's not the young women's sexuality that defines them here as sluts but their appearance and behaviour, both of which are relentlessly geared towards grabbing male attention. Look at those two women kissing - they're not doing so because they fancy each other but because acting it out it will attract the male gaze. Drive through Courtenay Place in the small hours and you can see any number of young women behaving like this. The "look" and the behaviour have nothing to do with women's rights - they have to do with the age-old assumption that male attention is in women's best interests.
Seems to me one could argue just as cogently that the clip implicitly and explicitly denigrates men. The reporter suggests that what caused the bus crash was some of the onboard slut getting on to the driver; and, in signing off the story, the newsreader farewells him with "Stay safe out there, John, and don't fuck any of those sluts" - both jokes playing on the taken-for-granted notion that all men are putty in the hands of women who look like this.
What does dismay me - given the foul way women are treated in the name of entertainment - is that the youtube version of the clip pixellates out - apparently for our protection - a pair of naked breasts. Now that is something worth getting worked up about.

Tuesday, May 11, 2010

The soundly shod feminist



Checking out Linda Grant's The Thoughtful Dresser yesterday, what should I find but this smashing image. It's a Clarks, for god's sake! My mother would have loved the style (for herself, not her teenage daughter, needless to say), and might even have allowed the colour - if buying for a special occasion and if it "went with" her outfit. I left an appeal on Grant's site for an image of those infernal brown sandals, suffering as I am from the compulsion to see them again and make you see them too.

Grant says the shocking-pink Clarks are sold (in the UK) with little gel pads for the balls of the feet - something I've been advised to hunt down for my tango shoes. The more I look at these beauties, the more I feel the need to see them on my feet. Not so long ago that would have seemed preposterous. Which brings me to why I voluntarily shunned high-heels for so many decades. The short answer is the 70s, or, more accurately, the 70s plus feminism.

Even before I left home, stiletto heels had gone the way of beehive hairdos, stiff petticoats, and stockings and suspenders. (Down, boy! Suspender belts were the most uncomfortable garment known to woman, right up there with the chastity belt, but having the opposite effect on men). Those gorgeous little low-heeled blue shoes I brought out from England in 1964 were the shape of things to come. During the decade and a half that followed, I was lucky enough to find fashion coinciding with ideology. Never again would women allow themselves to be crippled by footwear they couldn't move freely in!

My dismay when the damn things came back in the 80s was just about visceral. And complicated by having a daughter who wanted to wear them. Hadn't women learned anything? Hadn't they heard a word we'd been saying? What sort of man wanted to see us tottering rather than striding?